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Although the character may have magical powers, the "magic is ostensibly directed toward helping and enlightening a white male character". The Magical Negro stereotype serves as a plot device to help the white protagonist get out of trouble, typically through helping the white character recognize his own faults and overcome them and teaching him to be a better person. So instead of getting life histories or love interests, black characters get magical powers. MAAFs exist because most Hollywood screenwriters don't know much about black people other than what they hear on records by white hip-hop star Eminem. Ĭhristopher John Farley, referring to the magical Negro as "Magical African American Friends" (MAAFs), says they are rooted in screenwriters’ ignorance of African Americans: Racism historians Francisco Bethencourt and John Beusterien trace the trope to late fifteenth century and early sixteenth century Spanish comedias de negros and their depiction of black "savior soldiers," who reinforce the stereotype of the supposed greater physical strength of Africans. These include El prodigio de Etiopía and El negro del mejor amo by Lope de Vega and El valiente negro en Flandes by Andrés de Claramonte. recycling the noble savage and the happy slave". Film director and writer Spike Lee said in 2001 that the White-dominated film industry is "still doing the same old thing. Film reviewer Audrey Colombe argues that the trope has been perpetuated by the overwhelmingly White blockbuster film industry. Screenshot with Tony Curtis and Sidney Poitier from 1958 Hollywood film The Defiant Onesįilm critic Matt Zoller Seitz stated that the trope "takes a subject that some white folks find unpleasant or even troubling to ponder (justifiably resentful black people's status in a country that, 50 years after the start of the modern civil rights struggle, is still run by, and mostly for, whites) and turns it into a source of gentle reassurance".

The character will also do almost anything, including sacrificing themselves to save the white protagonist, as exemplified in The Defiant Ones, in which Sidney Poitier plays the prototypical Magical Negro. They usually have some sort of magical power, "rather vaguely defined but not the sort of thing one typically encounters." The character is patient and wise, often dispensing various words of wisdom, and is "closer to the earth".

The character often has no past but simply appears one day to help the white protagonist. The Negro is often a janitor or prisoner. The Magical Negro is a trope in cinema, television, and literature: the character is typically, but not always, "in some way outwardly or inwardly disabled, either by discrimination, disability or social constraint". See also: Tokenism § In fiction, and Stereotype § Role in art and culture This underlines their message that a "magical black character" who goes around selflessly helping white people is a throwback to stereotypes such as the " Sambo" or " noble savage". Ĭritics use the word " Negro" because it is considered archaic in modern English. He also said that the films The Green Mile and The Legend of Bagger Vance used the "super-duper magical Negro". Ī trope, the term Magical Negro was popularized in 2001 by film director Spike Lee, while discussing films with students during a tour of college campuses, in which he said Hollywood continued to employ this premise, expressing dismay. Magical Negro characters, who often possess special insight or mystical powers, have long been a tradition in American fiction. In the cinema of the United States, the Magical Negro is a supporting stock character who comes to the aid of white protagonists in a film.

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Ethernet for remote control from external hardware or software control panels.The Magical Negro is a trope in American cinema, television, and literature.

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Works with Videohub Master Control Pro and Videohub Smart Control Pro control panels.LCD monitor with live video and labels for visual routing.Built-in control panel with direct entry buttons and spin knob control.Zero latency 12G-SDI supports SD, HD and Ultra HD up to 2160p60.10 x 12G-SDI Inputs and 10 x 12G-SDI Outputs.The Blackmagic Videohub 12G models feature a front panel with shortcut buttons, an LCD that can display labels or live video, and a machined metal spin knob for browsing video sources. The Blackmagic Design Videohub 10x10 12G is a Zero-Latency Video Router with 10 x 12G-SDI Inputs and 10 x 12G-SDI Outputs that allows you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time.